Summer of Faerie: “Winds of Change” by Matthew Cyr

Faerie Wind

It’s the end of May and beginning of June: one of my favorite times of year, when purple lilacs bloom, the new leaves rustle in warm winds, and it’s hot and bright enough to put on sunscreen and enjoy its cool, thick smell.

These days at the lake have “slid along so quiet and smooth and lovely” (Mark Twain, The Adventures of Huckleberry Finn). I’ve had the undeserved luxury of hiking in the green mountains, paddle boarding during my lunch hour, a few frigid swims, and continuing to research fairy tales and folklore for the Summer of Faerie project. I hope to post more about this later, but for now, I have found a few treasures:

  • Kate Forrester’s Celtic Tales, a collection of British, Irish, Welsh, and Scottish legends with gorgeous silhouette illustrations
  • J.R.R. Tolkien’s “Mythopoeia,” a poem I had heard of but not read (and do not fully understand yet)
  • Angelina Stanford’s fascinating research on how fairy tales retell the Gospel

This week’s Summer of Faerie post is a piece by Matthew Cyr, whose masterful craftsmanship I first encountered in The Cultivating Project (a seasonal online journal). Matthew’s prose reminds me of an enchanted forest, with layers of vivid imagery and root-deep musings that leave me pondering for days. This short-short story explores some of the strangeness and mystery of the world of fairy tales.

Winds of Change

by Matthew Cyr

Eyes closed, head thrown back, Ehelia danced among the maple whirlywings, whirling with them as they fell. Cirigan watched her from where he was seated on a fallen linden trunk, playing a rippling tune on his polished swan’s bone flute. Merriment played on his usually-somber face as he followed Ehelia’s fluid spiraling.

As the breeze quickened and more of the winged seeds took flight, Ehelia swept up those around her and flung them back up to be joined by fresh ones from above. Again she swirled them up as they drifted down to her, and again until the air was awhir with spinning wings that flickered in and out of the dappled sunlight.

In the midst of her laughter something caught at Ehelia’s attention, as if a movement from the corner of her eye or a sound out of place, half-heard. She came to a stop and looked toward the river where it ran unseen behind the yarrow-clad hill.

Cirigan stopped piping. “What is it, Irushili?” He often called her that, Shower of Laughter, instead of her true name, which meant Heartsighted.

Ehelia had no word to give him back, but he followed when she started away toward the river.

Cresting the rise, she could see something heaped down by the water’s edge. She paused, then pushed closer. Cirigan crossed half in front of her and stopped, as did she. It was plainly a body, a figure lying as if spilled from a cup.

“Is that….” he began, without taking his eyes from the thing.

“Yes.” No cloud had passed over, but the sun-washed hilltop seemed to darken for a moment around them.

“I never thought… to find one outside of old tales. An Oulahlain.  How came it here? None have ever been near this place. ” His eyes narrowed slightly. “It still lives.”

Ehelia passed him, only half aware that she was drifting closer to the creature again. Cirigan twitched slightly but didn’t move to block her. She looked and listened and smelled, taking in the crude clothing, the mane of tangled hair, the shallow breaths.

Ehelia’s gaze passed on to the angry red scratches on the arms and legs, as if it had been plunging through thorn and thicket. The figure’s feet had scarcely stopped bleeding into the river as it whispered past. The tears in the thing’s coarse-spun garment looked fresh as well, and some of its shabbiness the mark of recent hard use and weather. 

“She was chased,” Ehelia said quietly.

“She?”

“She is female… and young, as they would reckon age. Little more than a child of her kind.” Ehelia didn’t try to unravel how she came by this surety, but Cirigan had known her long, and accepted it as truth without need of explanation.

“They’re dangerous at any size or age,” Cirigan said. “They all but destroyed our people. So few of us lived to flee here… and now again our place is found out.”

Ehelia made no reply, but the still air around her felt like a closed door. Cirigan turned to her, finally taking his eyes from the slumped creature to press Ehelia with his gaze.

“Where one comes, others will be drawn. If this one is hunted by its own kind, they that follow will be more and worse. They will bring the cold iron that slays our folk.”

Cirigan glanced back at the fallen thing on the riverbank. “Yet for it to return to its kind now might be more ruinous than if it remain. Could be that it will wander ever lost in the wilds instead…or a sleep be placed on it that it never wake.” He fingered the bone flute.

And now Ehelia turned to him. Her eyes, usually the pale green of the moon-moth’s wing, were like sunlight through young beech leaves. The floating tufts of cottonwood silk above the hillside seemed to slow in the air, and the river to further hush itself.

“None other will find its way here that we do not wish, “she said. “Our folk can keep the border.”

Like heat-shimmer off a sun-baked rock, she could feel the uncertainty rising from him, mingled with shame: none of their people would think to end a living thing before its time, but he had voiced the nearest deed to that.

“We must tell the others,” Cirigan said, his tone more subdued but still stubborn around the edges. “All must decide.”

Ehelia glided even closer to the strange figure till she hovered just over it. Under the burrs and dirt, the sleeper’s hair was ruddy-gold like a kingfisher’s breast, and fell across her eyes, hiding them.

The forest seemed to breathe again. Ehelia had made her decision. The breeze now wafted the cottonwood wisps into the river, which carried them past and on out of sight. A lift of air drew the sleeper’s hair away from her face, revealing a pale brow and lidded eyes. Oulahlain. The Unseeing Ones.

Soft, soft, like the feathered touch of a month’s antennae, Ehelia brushed the stranger’s eyelids with her fingertips. She whispered a few words that hung glistening in the air, like dewdrops on spider threads.

She knew without looking that Cirigan had vanished, as the figure shivered and its eyes sprang open. Eyes little less green than Ehelia’s own. The wakened creature drew back at the sight of her.

“Be at peace, Daughter of Man,” Ehelia said. “You are watched over, and none shall harm you here.”

Matthew Cyr

Matthew Cyr

Once upon a time, Matthew Cyr unearthed an ancient-looking early edition of The Hobbit in his elementary school library and has been wandering in Middle Earth ever since. He has a hobbitish appetite and prefers to keep a good book in one hand and good food in the other. Matthew is fascinated by the power of story to awaken us to redemptive Truth. Several years ago he took up a quest to own and read every book ever published by C.S. Lewis. He shares his home with his wife and daughter, three cats, and a smallish serpent who has thus far never instigated the consumption of prohibited produce. Some of Matthew’s writings can be found at thecultivatingproject.com.

Musings from the UK: The Lake District, Edinburgh, and Durham

After some full, exhausting days at Oxford (we walked 13 miles each day), we went to the Lake District, Edinburgh, and Durham. Miles of train travel past thick forests, green fields, and small villages showed me that some of my favorite books – Watership Down, Jane Eyre, A Room with a View, and others – captured and mythologized a place of real beauty and intrigue. The feeling of being in a story turned out to be a theme of the trip.

I also gained a new appreciation of J.K. Rowling’s genius. Train travel is fast, convenient, and lets you relax and watch the countryside, but is also stressful, dirty, and chaotic. Rowling turned a monotonous necessity into a delight with the Hogwarts Express. I kept thinking of Harry Potter every time the food cart rattled by.

I also gained even more insights about imagination and story-telling.

Stories are mythologized truth

Every scene was a story; I’ve read about the loveliness and mystery of this place from dozens of authors. They saw truth, and they told it slant. The shaped it in imagery and metaphor and breathed life into characters who embodied the human experience.

Kendal was all gray stone, with tight corners and winding streets – somewhere Father Brown or Sherlock Holmes would have walked. The taxi ride was on winding rows and hills through green fields, pastures, low stone walls, hedgerows, woods, and little farms – a country of borders. You’ll have to take my word for most of it; our speed and the rain made picture-taking difficult.

Bowness-on-Windermere, a village next to Lake Windermere, was all shops and restaurants painted white, walled gardens with white and yellow roses, and a shining lake reflecting the green mountains around it. It was Laketown from The Hobbit.

The hikes were glorious. We stepped into a shadowy tunnel of green trees covered in thick moss, up through hill pastures ringing with the forlorn bleating of sheep, to a hilltop shrouded in silvery mist. The dim outlines of trees were all we could see, but I didn’t mind – it felt secret, ominous, and foreboding as Weathertop or the moors of Wuthering Heights.

The magic of stories is the magic of real, natural beauty on God’s earth, expressed in minute detail by people He gifted with wordcraft. I’m burning now to spin a story out of the beauty of New England.

Travel for people

The allure of the Lake District, Edinburgh, and Durham was worth traveling to see. But the best parts of this trip really were the people. Though we trekked 15 miles up and down the streets of Edinburgh to collect Scottish tartans and chocolates as souvenirs, it’s the conversations that I value the most.

We talked with our taxi drivers about English weather (one said that snow shuts down the Lake District; the other said that now winters were too warm and wet for snow); “health and safety” regulations set by the government; and regional accents (two of them warned us about Liverpool and Newcastle accents). The owner of the hotel in the Lake District told us what he knew of the history of the place, his previous career, and his aunt’s paintings which hung in the dining room. I spent hours talking about food, travel, dating, and culture with two Americans, a British woman, and an Australian woman on our last train.

In college, and just after, every glamorous Facebook picture of my friend’s travels filled me with envy and yearning: European castles, Italian vineyards, and tropical reefs. Now, after being able to take a few pictures of my own, I feel stronger knowing that I want to travel for people, not just scenery – fellow travelers, conference attendees, and hopefully new friends.

Seek out the family of God

Sunday morning in Durham, just before we had to get back to Heathrow, I was feeling sick, and we were both tired. We persevered enough, however, to get to Christchurch for their service.

The meeting room had a high ceiling, large windows, and white paint that caught the light. It was full of families: men and women talking in small groups, college students, and children who ran among the metal folding chairs, filling the room with laughter.

“If you get Jesus wrong,” one pastor began, “you get everything wrong, and you can’t relate to Him.” We recited the Nicene Creed, and sang through Christ-centered songs based on the Psalms. The main pastor talked through Psalm 8, pausing at verse 2:

Out of the mouth of babies and infants,
you have established strength because of your foes,
to still the enemy and the avenger.

“Oh, good,” he said, when one of the children there let out a happy cry. “I was hoping that would happen. In fact, I prayed that it would happen.” He continued to explain the majesty of God in making human beings, as helpless and small as babies, into priceless treasures. He went to Hebrews 2 to explain how Adam’s race had failed to rule this world as God created us to, but Jesus Christ became the ruler Adam failed to be.

I felt like crying with joy; to travel across the Atlantic and much of England and Scotland, and then find my family – radiant with worship, full of love for each other, steadfast in the truth – was exactly the encouragement I needed.

And then we returned. Now, I sift through my memories and new resolutions: to mythologize the beauty around me in stories; to use travel to build relationships, not just view pretty scenery; and to seek out the family of God everywhere.

While we were gone, summer arrived: tree canopies are lush and green, white spirea and pink rhododendrons are blooming, and the ocean is impossibly blue. For the first time, I can taste the sweetness of the word homecoming.

The Magic of the Ordinary

New York City skyline in the glow of sunset.

Nurtured by books like The Chronicles of Narnia and Lord of the Rings, I used to believe that modern technology has no place in literature. Medieval technology such as swords and ploughs, and maybe even Industrial Revolution technology like trains and mills, were acceptable, but nothing later than 1920s-era technology belonged in books.

My logic for this assumption ran deep into my beliefs about stories. I believed that stories were the exclusive realm of the mythical and the wonderful: ancient forests, splendid castles, beautiful princesses, and so on. As an avenue of the imagination, stories should be above the minor, ugly details of life, like technology.

This subconscious assumption ignored the wonderful details of ordinary life which Lewis, Tolkien, Lloyd Alexander, Edward Eager, Edward Ormondroyd, E. Nesbit, and others use. In Lewis’s Prince Caspian, Edmund remarks that being summoned from England by a spell without warning is “worse than what father says about being at the mercy of the telephone.” Ormondroyd uses an elevator as a key part of his Time at the Top

Mentioning current technology also gives stories the precious stamp of regionalism – memorializing a certain place and time so readers can visit it. Now, I love tasting the flavor of past decades through references to slates and record albums.

My assumption also glossed over the very real fact that swords and ploughs, trains and mills were just as boring and ordinary to our predecessors as subways and cell phones are to us. For all their mythology, swords are really just romanticized pieces of metal.

G.K. Chesterton explains this phenomenon of ignoring the romance of the present with reference to modern-day detective stories. He praised detective stories for capturing

. . . some sense of the poetry of modern life. Men lived among mighty mountains and eternal forests for ages before they realized that they were poetical; it may reasonably be inferred that some of our descendants may see the chimney-pots as rich a purple as the mountain-peaks, and find the lamp-posts as old and natural as the trees. (from here)

The storytellers from whom the Grimm brothers gleaned their material wove their tales with commonplace objects. Spindles are immortal because of Sleeping Beauty, but they were as normal as cars or coffee pots to the people who used them daily.

Chesterton’s perspective reveals the amazing possibilities of our world. We don’t need to reuse crowns and Gothic castles to spice up our stories (at least, not all the time). Why not mythologize Brooklyn apartments and Iphones? 

The technology of our day has near-magical capabilities. Google puts a world of knowledge at our fingertips; planes let us fly over thousands of miles in a single day.

With that in mind, I’ve put some story ideas below which realize a few possibilities of modern technology, the way fairy tales used magic rings or carpets:

  • Glitch in one particular Iphone which lets the user call other dimensions
  • Car (specific make and model) with a radio which begins receiving messages for help from another world/time
  • Computer virus which spreads a real, biological virus via the Internet
  • Windmills which were made not to generate clean energy, but to guard against holes in Earth’s magical atmospheric shield
  • Subway train which gets lost and discovers a network of caves full of secrets (treasure, ancient warnings about disasters, lost civilizations, etc.)
  • Stopwatch which begins to count down the days/hours/minutes until the next terrorist attack
  • Energy beings (aliens?) which communicate with the entire country using the powerlines