Summer of Faerie: “Winds of Change” by Matthew Cyr

Faerie Wind

It’s the end of May and beginning of June: one of my favorite times of year, when purple lilacs bloom, the new leaves rustle in warm winds, and it’s hot and bright enough to put on sunscreen and enjoy its cool, thick smell.

These days at the lake have “slid along so quiet and smooth and lovely” (Mark Twain, The Adventures of Huckleberry Finn). I’ve had the undeserved luxury of hiking in the green mountains, paddle boarding during my lunch hour, a few frigid swims, and continuing to research fairy tales and folklore for the Summer of Faerie project. I hope to post more about this later, but for now, I have found a few treasures:

  • Kate Forrester’s Celtic Tales, a collection of British, Irish, Welsh, and Scottish legends with gorgeous silhouette illustrations
  • J.R.R. Tolkien’s “Mythopoeia,” a poem I had heard of but not read (and do not fully understand yet)
  • Angelina Stanford’s fascinating research on how fairy tales retell the Gospel

This week’s Summer of Faerie post is a piece by Matthew Cyr, whose masterful craftsmanship I first encountered in The Cultivating Project (a seasonal online journal). Matthew’s prose reminds me of an enchanted forest, with layers of vivid imagery and root-deep musings that leave me pondering for days. This short-short story explores some of the strangeness and mystery of the world of fairy tales.

Winds of Change

by Matthew Cyr

Eyes closed, head thrown back, Ehelia danced among the maple whirlywings, whirling with them as they fell. Cirigan watched her from where he was seated on a fallen linden trunk, playing a rippling tune on his polished swan’s bone flute. Merriment played on his usually-somber face as he followed Ehelia’s fluid spiraling.

As the breeze quickened and more of the winged seeds took flight, Ehelia swept up those around her and flung them back up to be joined by fresh ones from above. Again she swirled them up as they drifted down to her, and again until the air was awhir with spinning wings that flickered in and out of the dappled sunlight.

In the midst of her laughter something caught at Ehelia’s attention, as if a movement from the corner of her eye or a sound out of place, half-heard. She came to a stop and looked toward the river where it ran unseen behind the yarrow-clad hill.

Cirigan stopped piping. “What is it, Irushili?” He often called her that, Shower of Laughter, instead of her true name, which meant Heartsighted.

Ehelia had no word to give him back, but he followed when she started away toward the river.

Cresting the rise, she could see something heaped down by the water’s edge. She paused, then pushed closer. Cirigan crossed half in front of her and stopped, as did she. It was plainly a body, a figure lying as if spilled from a cup.

“Is that….” he began, without taking his eyes from the thing.

“Yes.” No cloud had passed over, but the sun-washed hilltop seemed to darken for a moment around them.

“I never thought… to find one outside of old tales. An Oulahlain.  How came it here? None have ever been near this place. ” His eyes narrowed slightly. “It still lives.”

Ehelia passed him, only half aware that she was drifting closer to the creature again. Cirigan twitched slightly but didn’t move to block her. She looked and listened and smelled, taking in the crude clothing, the mane of tangled hair, the shallow breaths.

Ehelia’s gaze passed on to the angry red scratches on the arms and legs, as if it had been plunging through thorn and thicket. The figure’s feet had scarcely stopped bleeding into the river as it whispered past. The tears in the thing’s coarse-spun garment looked fresh as well, and some of its shabbiness the mark of recent hard use and weather. 

“She was chased,” Ehelia said quietly.

“She?”

“She is female… and young, as they would reckon age. Little more than a child of her kind.” Ehelia didn’t try to unravel how she came by this surety, but Cirigan had known her long, and accepted it as truth without need of explanation.

“They’re dangerous at any size or age,” Cirigan said. “They all but destroyed our people. So few of us lived to flee here… and now again our place is found out.”

Ehelia made no reply, but the still air around her felt like a closed door. Cirigan turned to her, finally taking his eyes from the slumped creature to press Ehelia with his gaze.

“Where one comes, others will be drawn. If this one is hunted by its own kind, they that follow will be more and worse. They will bring the cold iron that slays our folk.”

Cirigan glanced back at the fallen thing on the riverbank. “Yet for it to return to its kind now might be more ruinous than if it remain. Could be that it will wander ever lost in the wilds instead…or a sleep be placed on it that it never wake.” He fingered the bone flute.

And now Ehelia turned to him. Her eyes, usually the pale green of the moon-moth’s wing, were like sunlight through young beech leaves. The floating tufts of cottonwood silk above the hillside seemed to slow in the air, and the river to further hush itself.

“None other will find its way here that we do not wish, “she said. “Our folk can keep the border.”

Like heat-shimmer off a sun-baked rock, she could feel the uncertainty rising from him, mingled with shame: none of their people would think to end a living thing before its time, but he had voiced the nearest deed to that.

“We must tell the others,” Cirigan said, his tone more subdued but still stubborn around the edges. “All must decide.”

Ehelia glided even closer to the strange figure till she hovered just over it. Under the burrs and dirt, the sleeper’s hair was ruddy-gold like a kingfisher’s breast, and fell across her eyes, hiding them.

The forest seemed to breathe again. Ehelia had made her decision. The breeze now wafted the cottonwood wisps into the river, which carried them past and on out of sight. A lift of air drew the sleeper’s hair away from her face, revealing a pale brow and lidded eyes. Oulahlain. The Unseeing Ones.

Soft, soft, like the feathered touch of a month’s antennae, Ehelia brushed the stranger’s eyelids with her fingertips. She whispered a few words that hung glistening in the air, like dewdrops on spider threads.

She knew without looking that Cirigan had vanished, as the figure shivered and its eyes sprang open. Eyes little less green than Ehelia’s own. The wakened creature drew back at the sight of her.

“Be at peace, Daughter of Man,” Ehelia said. “You are watched over, and none shall harm you here.”

Matthew Cyr

Matthew Cyr

Once upon a time, Matthew Cyr unearthed an ancient-looking early edition of The Hobbit in his elementary school library and has been wandering in Middle Earth ever since. He has a hobbitish appetite and prefers to keep a good book in one hand and good food in the other. Matthew is fascinated by the power of story to awaken us to redemptive Truth. Several years ago he took up a quest to own and read every book ever published by C.S. Lewis. He shares his home with his wife and daughter, three cats, and a smallish serpent who has thus far never instigated the consumption of prohibited produce. Some of Matthew’s writings can be found at thecultivatingproject.com.

Summer of Faerie: “Housing Problems” by AJ Vanderhorst

Spring has fallen upon us all at once this week: gray clouds have melted into clear skies, bright green leaves have filled up the woods, and the temperatures jumped from the 50s to the 80s. For me, this Memorial Day weekend is the real beginning of summer, when lawnmowers roar to life, lilacs fill the air with sweetness, and the heat of the sun fills your winter-harrowed soul.

After enjoying several creative collaboration projects with other writers for Thanksgiving and late winter, I wanted to do something fun for this summer. I toyed with a few ideas, but finally settled on a project called Summer of Faerie that was born from my love for fantasy and fairy tales. 

For this Summer of Faerie project, I gave some fellow writers from The Habit the following prompt, inviting them to contribute: 

  • Short, prose fairy tale retellings
  • Faerie/fairy tale-themed poetry
  • Creative nonfiction about fairy tales in general

I had three suggestions for these works: 

  • Consider focusing on something other than romance.
  • Consider mythologizing your own region through this work – how can your hometown or city be just as magical as a castle on a mountain or tower in the wilderness?
  • Consider how we can meditate on the Gospel through thinking about fairy tales. G.K. Chesterton argued that “conditions” of fairy tales teach us a “The Doctrine of Conditional Joy” that parallels the truth of the Bible: “A lamp is lit, and love flies away. A flower is plucked, and human lives are forfeited. An apple is eaten, and the hope of God is gone.” (I’m quoting his weird and wonderful essay, “The Ethics of Elfland,” in his book Orthodoxy.)

Several writer-friends responded to the challenge, and the contributions so far have dazzled me. One of the first contributors was AJ Vanderhorst, who just released an amazing novel, The Mostly Invisible Boy. Enjoy!

Housing Problems

by AJ Vanderhorst

Hands holding teeth

Two parents with too many hobbies. Two parents with four crazy, precocious boys. We overlooked the low sales price. We overlooked a lot. We were a little desperate, well, more than a little. We needed someplace big and HOA-free and durable—and fast.

The missing background didn’t bother me at first and I’m a journalist at the Kansas City Star. At least I used to be. Go on, laugh. These things have a way of creeping up on you.

The house’s previous owner, a genial, raisin-skinned gentleman who gave you the impression of holding nothing back, told us the sprawling four-story place was built in 1915. We believed him. Not that we cared, because the house was gorgeous. Dwell Magazine with vintage swagger. You felt taller just standing in the shade of its colonnades. 

By the time I got around to checking, the origin story proved impossible to verify. No records on micro-fiche. No permits at KC Planning & Development—not that they looked very hard. For a while I dug around in the basement, hoping to find old documents in a forgotten corner. Believe me, there were plenty of those. 

Forgotten corners, I mean.  

When we knocked down nonstructural walls, which happened a couple times as we got moved in, I’d scan each yellowed page of newsprint while the kids sifted dust for arrowheads and shark teeth. Nothing.

Sometimes the clue you need is staring you in the face. In this case, the clue was: nothing. Absolutely nothing. 

Plenty of dirt on everyone else though. One rabbit trail through KC history gave me an inside track on the next door neighbors. They’d been accused of witchcraft in 1740, which, reading between the lines, was code for “really big jerks we don’t want at the barbecue.” That family is still here and they’re still obnoxious and I can totally see it. 

In 1911 someone’s rooster got blasted with a shotgun and buried in concrete for crowing at 4:59 instead of 5 am. I can’t help feeling neighborhood news has become a lot less interesting.

In the more recent past, I learned how mob “Boss Tom” Pendergast got his claws in the KC Code Department—and made it so crooked that today it still can’t stop citing and snickering long enough to look you in the face. 

But I found nothing on our cavernous brick house. Only the growing feeling, as I walked its wide staircases and traced the shadows of its vaulted ceilings, that it wasn’t normal. Which was fine at first. Because downtown thought our family, with its size and irrepressibility, was pretty weird too.

I formed a theory that an exasperated realtor had pulled the 1915 date out of thin air and slapped it on his deed of sale. There were no records of the behemoth’s original use. No tales of mobs it’d outlasted with its quintuple-thick walls. No reason given for its many secret crawl spaces. The deep gouges in its irreplaceable timber floors. Or its poured concrete roof. 

At the time, my most intriguing find was a sentence from an 1875 account of Kansas City’s stockyards: “The beef barons shipped their assets on the hoof, and herds of cattle, sheep and pigs overran the West Bottoms daily. This was a stark contrast to the more exotic, costly creatures that were rumored to arrive on the riverfront under cover of darkness.”

The “news” story gave me a prickly feeling behind my eyes. The feeling was hard to pin down as it scurried along my bones. I labeled it curiosity and tried to forget it. Curiosity isn’t usually so nagging. It doesn’t usually cause you to turn on extra lights and stay up late at night. 

But the story appeared next to an ad for “MAGIC medicinal TONIC for the FORTIFICATION of boys, girls and calves.” So I felt justified in dismissing it, or trying to. Now, with the benefit of hindsight, I know this was my first mistake. Snobbery toward old news—news I stupidly wrote off because I could associate it with hoaxes.

Before everything happened, people often asked me for advice (free of course) about buying and fixing up old houses. Now, as the sun hangs in the middle of the sky and cocktail hour approaches, I know what I should’ve told them:

“Yeah, remodeling physical history is a nasty beast. But let’s step back. How old is the place? Is it too big? Just…Way. Too. Big? In a strange Hitchcockian way that gnaws at you slowly, offending your sense of proportion? Are there too many fireplaces? Do the quiet, twisting hallways send centipedes down your spine?”

That’s all the free advice I’d offer. But if they could afford to pay me for my time…and my scars…and my abrupt career change, I’d say:

Dragons. It just might be dragons. So point me in their direction and get out of the way. 

Business card for a Dragon Agency

AJ Vanderhorst

AJ Vanderhorst is a husband, dad and author who loves barbecue, as do all right-thinking people. His relationship with monsters is long and complicated. Visit him online at ajvanderhorst.com.