Two Sides of Yearning: Adventures and Koselig in Norway

The sweetest thing in all my life has been the longing — to reach the Mountain, to find the place where all the beauty came from — 

C.S. Lewis, Till We Have Faces

It was exactly the kind of place my childhood self dreamed about: gigantic mountains thick and green with pines, firs, and birches; waterfalls tracing the steep slopes like silver ribbons; glimmering fjords that reflected the bright blue sky and dark blue mountains; white-tailed eagles wheeling through the clouds; cottages and farmhouses clustered in emerald valleys; wandering sheep with bells around their necks; purple heather with leaves burned crimson with autumn. 

Norway embodied many of my old fantasies. There were cottages tucked high in the hills, lonely and quiet, that my introverted self would have loved to hide in. (My older, more practical self stops to consider things like steep, icy roads in winter, the difficulty of running errands, and the risk of loneliness). We hiked down a path that led behind a roaring waterfall — no treasure-caves hidden behind there, sadly, but it still felt magical.

There were sailboats like a flock of white birds on the shimmering fjord at dusk; green islands connected by long bridges and long tunnels; a lighthouse stained blazing red-gold with sunset. The souvenir shops are designed for tourists who love adventure and at least the vague concept of Norse mythology: they all had Viking-themed magnets and mugs, Fair Isle sweaters, and stuffed reindeer, moose, and wolves. On sunny summer days, with the wildflowers in full bloom and winter a thousand miles away, it felt like the perfect place for adventures, quiet, and dreaming. 

But Norway is cozy as well as grand. The untranslatable word “koselig” captures the cozy, safe, familiar, warm, intimate, homey feeling of home gatherings during the long Arctic winters. From the sound of it, koselig means fleece blankets, crackling hearthfires, storytelling, hot drinks, and deep talks that go long past midnight on nights that last longer than days. 

World War II and the Torches in the Night

In Oslo, we visited Norway’s Resistance Museum, which chronicles the dark years of occupation by the Nazis in World War II. While much of the material was in Norwegian, italicized English told the stories of the desperate, doomed struggle in the spring of 1940 to stop the German invasion; the betrayal of Vidkun Quisling, the head of the Norwegian fascist political party who collaborated with the Nazis and received the lasting hatred of his own people; arrests, imprisonment, suppression of free speech, rations, fear, and the horrific seizure of Norway’s small Jewish population; the courage of many who smuggled people to Sweden, hid fugitives in their cellars, printed illegal newspapers to spread truth and hope, and planned dangerous acts of sabotage; and finally, the joy of deliverance. 

So many plans failed. A few succeeded, most famously the sabotage at the heavy water plant that delayed the Nazis’ development of the atomic bomb and changed the course of the war, but many brave, ordinary people were caught. Some were executed. 

The hope of Great Britain stood out like a flame in the night. After so many countries capitulated to fascism, were conquered by overwhelming force, or went neutral, Winston Churchill’s “we will never surrender!” held back the tide for a year and a half alone, until the U.S. joined the war after Pearl Harbor. It was a refuge and training ground for the resistance. Many Norwegians fled to the UK, received training, and returned to try to free their country. 

World War II still feels so close, though not too long from now, it will be a hundred years past. The candle flames that people held up against that great dark, and the mighty faith of people like Corrie ten Boom and Dietrich Bonhoeffer, are startling in their beauty. 

A Yearning for Adventure vs. Koselig

When I started writing on this blog, I named it “stories of yearning” because the word “yearning” best captured that wild, mysterious, wonderful feeling that good books gave me. It’s akin to the feeling that C.S. Lewis called sehnsucht or Joy in his book Surprised by Joy: “an inconsolable longing” that he eventually identified as a sign of our longing for heaven. It’s also similar to the experience that L.M. Montgomery called “the Flash” in her Emily of New Moon series: 

It had always seemed to Emily, ever since she could remember, that she was very, very near to a world of wonderful beauty. Between it and herself hung only a thin curtain; she could never draw the curtain aside—but sometimes, just for a moment, a wind fluttered it and then it was as if she caught a glimpse of the enchanting realm beyond—only a glimpse—and heard a note of unearthly music. — L.M. Montgomery, Emily of New Moon

My sense of yearning isn’t exactly sehnsucht. The sweetness stirred up in me by books like The Castle of Llyr and A Wind in the Door was less painful than what Lewis describes, more excitement than grief. I loved it. It fed my desire to travel and see the world: the castles and cottages of Scotland, the emerald hills of Ireland, and the rainbow of tulips in Amsterdam. 

In the past few years, my yearning for adventure has waned. The turmoil of the pandemic, a few moves, a lot of change, and the practical drudgeries of travel like red-eye flights threatened to swallow up that longing. I tried to summon it back, but as Lewis found when he tried to manufacture sehnsucht, you can’t recall feelings at will.

Now, I’m wondering if that sense of yearning has just become inverted. Part of me still longs for faraway, glamorous places, but now I dream even more about near, safe, cozy, and sheltered spaces: hearthfires, deep friendships, and the stability you only get when you live in a good place for a long time. Instead of adventures like those in Treasure Island or The Silver Chair that take me to wild moors or deserted islands, I’m yearning for koselig. 

Yearning can be an idol, if I let it; something that keeps me discontented and restless. At its best, it’s a hope for the joys beyond this world and the God who made all good things. 

The wondrous thing is that the fulfillment of all longings, to be with the Lord in heaven forever, completes both sides of yearning, the splendid and the snug: 

Psalm 36:5-9 (ESV)
Your steadfast love, O Lord, extends to the heavens,
your faithfulness to the clouds.
6  Your righteousness is like the mountains of God;
your judgments are like the great deep;
man and beast you save, O Lord.
7  How precious is your steadfast love, O God!
The children of mankind take refuge in the shadow of your wings.
8  They feast on the abundance of your house,
and you give them drink from the river of your delights.
9  For with you is the fountain of life;
in your light do we see light.

I love how this psalm captures it all: the vastness of God’s goodness, higher than mountains and deeper than the sea; the sweetness of His hospitality, inviting us into His home, becoming our true home; the closeness we can have with him, feasting from His abundance, drinking from the river of delights, and seeing light in His light. 

Adventure; quiet; glory; rest; faraway; home; mighty mountains; safe harbors; spectacular sunsets; fragile wildflowers; the Lord God, Father and Maker, fulfills all these desires more beautifully than we can imagine. 

Springtime, the Sea, and the Good Life

I am learning to read the winds and sky: to check the temperature, wind speed, and cloud cover to see whether it is warm and still enough to walk the cliffs, or whether I should stick to the sheltered woods. I know now that any wind above 15ish mph is too chilly for studying in a grassy meadow if the temperature is below 40 degrees Fahrenheit; that rain here is light and usually doesn’t last more than a few minutes; that the sea turns shades of royal blue, marine green, and blue-gray depending on the tides and rain patterns.

Spring comes earlier in Scotland, thank God. The white snowdrops are fading now, giving way to daffodils of bright yellow or cream; green buds pop up on the prickly beach roses and hedges; flocks of honking geese make Vs in the sky. You can smell thawing earth now (one of my favorite smells). It is warm enough for adventures again: stargazing on the pier under a golden crescent moon surrounded by haze; study sessions on grassy clifftops thick with gorse; wanders through a green park beside a huge brick mansion with boarded-up windows and KEEP OUT signs.

These past few weeks have been like treading water amidst huge waves; I have managed to keep track of everything, I think, but spring break came just in time. Classes have continued to be fascinating, so good that I can only drink in the richness: the Incarnation and Passion of Christ, our suffering and triumphant Messiah; Resurrection, transhumanism, and artificial intelligence; ecclesiology (theology of the Church), religious syncretism, and graphic novels/comics as a medium of theological insight; Henry Ossawa Tanner’s mesmerizing painting of the Annunciation; love and theatricality in Shakespeare’s “A Winter’s Tale”; oaths and love and power in Wagner’s Ring Cycle. I am reading George MacDonald, James Hogg, C.S. Lewis, and others for various papers and presentations. I am inundated and enthralled, joyful and very tired.

The Transept artists’ group, which is connected with ITIA (my program, the Institute of Theology, Imagination and the Arts) is also hosting an online exhibition that just started on Friday. Putting it together has required much more emailing, scheduling, Google Drive manipulation, spreadsheets, and checklists than I realized, but we are starting to see the fruits of our labor. We chose “In/break” for the theme (thinking of God breaking into human history and the world breaking out of the COVID pandemic, among other things) and artists have taken it in such fascinating directions. Barbara Davey’s set of five poems, “Interruptions and Intrusions,” has some sections that haunted me:

Barbara Davey, “Interruptions and Intrusions,” part 3

There are some real treasures coming over the next two weeks: a meditation on walking the Fife Pilgrim Trail, dramatic sketches of each of the four Gospels, a modern retelling of the birth of Samuel, and many more. The artworks will be posted on the Transpositions blog here.

On Saturday, I celebrated the freedom of spring break by hiking down the Fife Coastal Path to the Cambo Gardens, an estate with a walled garden full of blooming purple and white and green, glasshouses, woodlands full of daffodils and snowdrops, and a very large ginger pig named Lawrence. (Ginger in color, to be clear.) The coastal path is alive with tiny yellow flowers, dark green seaweed, rocks for scrambling, stone steps carved with crisscrosses to give walkers more traction. We broke our mileage record for one day: about 17 miles, give or take. We traded sore joints and tired muscles for glorious views of the royal blue sea, gray-blue mountains, and St. Andrews shining like a jewel in its cove.

How do you live a good life? I’m surprised that that question continues to haunt me over the years; it began just after finishing my undergrad. Sitting in traffic on my commute, counting up savings paycheck by paycheck, scheduling coffee dates, trying to fill up lonely Saturdays, I kept thinking: am I doing this right? How is everyone else choosing to live? How do I live for the kingdom of God in this time, this place, with this soul and these gifts? This adventure-year in Scotland was supposed to solve that question, somewhat. I saved, planned, strategized, dreamed, and prayed, and God gave me a way to incarnate hope into reality. But I still wonder now, as I read poetry and fantasy and plan hikes and picnics through lockdown, how to choose where to spend time, money, and energy in the light of Genesis and the Gospels, Ecclesiastes and Paul’s letters . . . and Revelation.

The wheel of the year turns again toward Easter. I have written before about how this holy feast feels different from Christmas because it has the grief of Good Friday, which is not the full story, but cannot be ignored. Waiting, feasting, lamenting, rejoicing, and hoping all belong in the divine narrative. I want to live well in the shadow of the cross and the sunrise of the empty tomb: in studies, adventures, art, work, and fellowship. In this silver-blue citadel, in the remaining months I have left, I hope I can continue to figure out how.

Divine Cartography: Dreams and Memories at the Close of 2020

St. Andrews in a radiant purple dusk

After Elizabeth made a joyful prophecy over her, Mary said, “My soul magnifies the Lord, and my spirit rejoices in God my Savior, for he has looked on the humble estate of his servant.” (Luke 1:46b-48, ESV). I am no Mary, but after this long year and a semester in Scotland, I marvel at God’s goodness to me this year – through a pandemic that shut down the world, through civil and political turmoil, through visa applications and loneliness and quarantine and study. 

Three years ago, I commuted 50 minutes each way to my first job, through New Hampshire farm country. I would use the morning ride to pray and arrive at my last requests just as I turned left at the last stoplight onto a quiet road lined with oak trees on one side and cattails on the other. Once, I saw a beaver emerge from the rushes and ponder the road (don’t try to cross! I begged him); another time, I stopped and waited as two Canada geese and their goslings waddled across in a solemn line. One of my last prayer requests would be about my dreams for grad school: that God would help me find a good program where I could learn more and grow into a better writer. 

His guidance was so gentle. That first job had its challenges – gray cubicles with high walls, humming fluorescent lights, dull work in front of a white computer screen – but established job skills I didn’t know were essential for anyone who produces any kind of content, including copy editing. Other jobs since then opened my mind to the imaginative possibilities in the business world, the energy and creativity of corporate life, which has more potential than I think many people realize. The world of software is a wonderland of human subcreation, as it’s created out of language (like the physical world is!) – and software developers are basically wizards: quirky, brilliant, and witty people who are a delight to work with.

God gave me loneliness – a precious gift that broke me out of the prison of shyness and taught me to seek community and find ways to love people. He gave me boredom, another gift that motivated me to create beauty and adventures where there were none: Spotify playlists for work that made my heart dance, mountain hikes on weekends, books and literary journals and conferences that filled my mind with wisdom and mystery. 

After all that – God the Giver, the Divine Cartographer, led me to the gift I had asked for, a year in grad school, in one of the hardest years anyone can remember. A few weeks ago, I turned in my last paper for the first semester of my Theology and the Arts program at St. Andrews. (I also published a short and wild Christmas story in my program’s blog, Transpositions, called “Flight of the Gift-Giver.”)

These past few months have been a glorious carousel ride, a snorkel through a rainbow reef, a telescope-view of dazzling constellations. Quarantining for two weeks and surviving on egg-and-mayo sandwiches and fruit in September was difficult, and the visa process confirmed my hatred of paperwork and red tape, but I survived – and found that the Gray Havens had all the magic promised to us and more. 

Our professors took us on a straight path through the mythical zoo that is the growing Theology and the Arts field: we studied Dante’s Divine Comedy and Jeremy Begbie’s work on a musical analogy of the Trinity, re-enchantment, the emergent church, kitsch, Greek Orthodox icons, and other works of scholarship and art. Much of our work focused on epistemology (different ways of knowing) contrasting the rational, intellectual epistemology of reason, logic, and argument which makes up a lot of theology with the emotional, affective epistemology of narrative, poetry, visual art, music, film, and other art forms. We looked at the arts as a means of praising vs. understanding God, an area of orthodoxy or transgression, as a fountain of joy and wisdom vs. distraction or idolatry.

I’ve explored some of Scotland. We can’t leave Fife yet, but staying here has motivated me to find hikes and little villages and ruins I may not have found otherwise. I’ve hiked up a windswept hill that once housed a Pictish fort; through the shadows of a golden sunset in pine woods; on the coast where rainwater made rivers across our path; past a solemn stone church and castle among gray-green hills. Scotland can be radiant, ominous and dark, shimmering with puddles, wind-brushed, or crystallized in frost. 

I’ve discovered academic areas I want to explore. A Master’s degree does not get you anywhere near mastery of a subject; even a PhD only gives you a narrow sliver of human knowledge. The best you can do is learn the major names and areas in your field of study so that you can choose where you will delve deeper. With my eclectic range of interests, I still have multiple areas I want to explore, including: 

  • Theology of play – I heard of this in my undergrad, but now know a few more names and specifics: some theorists think that play may be a better means of worship, of knowing God and glorifying Him, then we realize. 
  • Metaphor theory – One of my papers examined how metaphors (such as “poetry is a snowstorm”) can open your mind to multiple layers of meaning, as opposed to the more direct representation of allegories or some types of symbols. However, metaphor theory is a huge field, with links to poetry and philosophy.
  • Paradox – Christ is God and man; the Kingdom of heaven is here already and not yet; good works reveal the state of the heart but do not earn salvation. Christianity is a country of paradoxes, or seemingly contradictory statements, that we need to hold in tension, and the arts are an excellent means of grasping paradoxes.
  • Re-enchantment and sacramentality – The word “re-enchantment” gives me a shiver of delight, but after reading a small portion of Charles Taylor’s A Secular Age, I feel that the medieval worldview may have its own theological problems – for example, believing that the “white magic” of church sacraments and saints’ relics counteracts the “black magic” of demonic activity. I want to research the medieval worldview and how art can bring a spiritual renewal and healthy re-enchantment.
  • Poetry and faith – I feel myself falling deeper in love with poetry as a way of gesturing towards the ineffable, of expressing the infinite, including the realm of faith. I listened to a discussion by the poet Malcolm Guite in which he quoted George Herbert’s “Agony Poem,” which concludes: “Love is that liquour sweet and most divine, / Which my God feels as bloud; but I, as wine.” Poetry can use metaphor and simile, rhyme and meter, image and description to embody spiritual truths we struggle to articulate in any other way. I want to research this truth-bearing aspect of poetry further.

There are so many worlds to study and create. I want to join the academic conversation in Theology and the Arts, but my creative side also yearns to Make, to spin these insights into stories and poetry that reawaken people to wonder and mystery and delight. Lord willing, I can explore both in what remains of this winter break – as snow settles on the hills across the bay, blue dawns creep back from 8:44 a.m., and ice stills the tidepools below the cliffs.